MA Fine Art
University of Lincoln
关键信息
校园位置
Lincoln, 英国
语言
英语
学习形式
在校园
期间
1 - 2 年
步伐
全职, 兼职
学费
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报名截止日期
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最早开始日期
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无论您身在世界何处,都能发现林肯
我们的网络研讨会、学科大师班、问答环节和学生小组讨论是了解University of Lincoln生活和学习的好方法。
介绍
Welcome to MA Fine Art
MA Fine Art is a studio-based course that is aimed at those who wish to develop the critical, research, practical, and professional aspects of their art practice at the highest level.
This interdisciplinary program encourages creative risk-taking and intellectual inquiry. Alongside a strong emphasis on the richness and breadth of art from around the world, staff and students on the program are encouraged to take an active role in Lincoln’s contemporary art community.
Students will have access to studio space and benefit from strong links with national and international artists and curators, which in the past have included working with the Collection, Lincolnshire Archives, The Blue Room, and others on collaborative projects.
A range of artists and professionals are invited to deliver guest lectures and tutorials as part of ART TALKS. Recent speakers include Assemble, Heath Bunting, Esther Leslie, Maurice Carlin, Danica Maier, Rachel Goodyear, and Alex Pearl.
Medium-specific specialist themes are available, recognizing the increased material focus of advanced practice in fine art.
Exhibitions
Students are encouraged to work professionally. As part of the course, the School has previously organized group exhibitions including General Practice, The Collection, The Blue Room, and Project Space Plus.
The course provides the opportunity to visit exhibitions and local galleries in Lincoln and there have been visits in previous years to Sheffield, Nottingham, London, and optional study overseas visits to Venice, Rome, and Berlin. Please see the Additional Costs tab for more information about the costs involved in these trips.
Features
A range of artists and professionals are invited to deliver guest lectures and tutorials as part of ART TALKS. Recent speakers include Heath Bunting, Matthew Burrows MBE, Rachel Garfield, Etcétera, Joy Sleeman, and JJ Chan.
Programme Leader Martin Lang is part of the University&rsquo's digitalization steering group. He makes paintings at the intersection of the digital and the analog, has presented his findings at conferences, and is featured in the book Painting, Photography, and the Digital: Crossing the Borders of the Mediums (2022). Martin has been publishing research on art activism since 2012. His forthcoming book Militant Aesthetics: Radical Art After 9/11, which will be published with Bloomsbury, is based on fieldwork research and interviews with a variety of art activist collectives over the last decade.
Senior lecturer Andrew Bracey is part of a research collective (Danica Maier, Andrew Bracey, Lucy Renton, and Sarah Bennett) that has developed the notion of the “ controlled rummage as an artistic strategy”. Working with the Lace Archive (Nottingham Trent University), they developed a body of artwork that was exhibited at Backlit Gallery (Nottingham, 2018), Ruskin Gallery (Cambridge, 2019), Constance Howard Gallery (London 2019), and which led to the publication of a book and journal article. Following this, Andrew has worked with the Tennyson Archive (Lincoln) to develop the method further, leading to new outputs and exhibitions – this time at The Hub/National Centre for Craft and Design (Sleaford) and the Collection Museum (Lincoln), and another book with critical texts by art historians and experts on archives and other art experts. Both iterations of this research project were awarded Arts Council Funding.
Interviews and Applicant Days
All applicants should submit a digital portfolio and statement, which will be reviewed. Shortlisted applicants will be invited to attend an interview where they will be required to present a portfolio of their recent artwork. For international applicants, we offer Skype interviews.
Prioritising Face-to-Face Teaching
At the University of Lincoln, we strive to ensure our students’ experience is engaging, supportive, and academically challenging. Throughout the Coronavirus pandemic, we have adapted to Government guidance to keep our students, staff, and community safe. All remaining Covid-19 legal restrictions in England were lifted in February 2022 under the Government&rsquo's Plan for Living with Covid-19, and we have embraced a safe return to in-person teaching on campus. Where appropriate, face-to-face teaching is enhanced by the use of digital tools and technology and may be complemented by online opportunities where these support learning outcomes.
We are fully prepared to adapt our plans if changes in Government guidance make this necessary, and we will endeavour to keep current and prospective students informed.
"This information was correct at the time of publishing (July 2023)"
招生
课程
- 艺术家作为策展人
- 展览
- 未来思维
- 研究与实验
- 工作室文化
画廊
课程学费
工作机会
以前的毕业生已经成为了成功的艺术家,展示他们的作品(X-Church,盖恩斯伯勒;20-21视觉艺术中心,斯肯索普;费伦斯画廊,赫尔),接受委托(由英国青年艺术家和No Jobs in the艺术)和驻场项目(例如林肯收藏博物馆和亚瑟美术馆的环境与可持续发展艺术家驻场项目)。有些作品入选著名展览(如新当代艺术展),赢得艺术奖项(如 Artescape 奖学金),并获得艺术委员会资助。
美术硕士的其他毕业生在格里姆斯比建立(并经营)Turntable Gallery 和 Lumo Workshop——一个由艺术家主导的社区艺术组织。其他人仍然进行策展实习和博士研究。
大学职业和就业团队提供合格的顾问,他们可以与您合作,在您在大学期间提供量身定制的个人支持和职业建议。作为我们校友的一员,我们还会在您完成课程后的第一年提供一对一的支持,包括参加活动、职位空缺信息和网站资源;可以在接下来的两年内访问在线职位空缺以及虚拟和网站资源。
该服务可以包括一对一辅导、简历建议和面试准备,以帮助您最大限度地提高未来的机会。该服务与本地、国家和国际雇主密切合作,充当通往商业世界的门户。
程序交付
全日制学生将在周二和周三(全天)上课,偶尔也会在其他日子上课。我们希望所有全日制学生除了教学时间之外还能独立工作,以弥补整整五天的时间。
非全日制学生每周将接受一整天的教学。教学日为周二或周三。学生在秋季入学时会收到他们的时间表(整个学年)。时间表将表明他们每个学期需要在哪一天上课。非全日制学生预计每周平均学习 2.5 天(包括授课日)。非全日制学生不参加第一年 C 学期的课程。相比之下,第二年的 C 学期是为最终学位展示而努力的紧张时期。
预计全日制学生除了教学课程外还将独立工作至少 30 小时,非全日制学生则应至少独立工作 12 小时。